This speech will be conceived as a “fundamental language,” underlying the proliferation of discourse.  Constituted of 20 fundamental signs, it will be embodied in paintings in watered effects, in sculptures in primitive forms, or in monumental installations.  There will thus be a desire to promote a mystique, involving the Subject at the roots.  Confronting the proposed works, the spectator will choose his own progression: which sequence in particular; a strange configuration, discovered by chance; even a new arrangement, reconstructed on the basis of the perceived work.  In any case, the interpretation will be his own invention, determined by his own prerogatives.  At the extremes, our spectator will have a synthetic, contemplative and non-reducible vision, which will reveal his desire to him.